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	<title>Comments on: Issue 14</title>
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	<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wax-poetics-issue-14</link>
	<description>Music In Context</description>
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		<title>By: Timeless Box Set &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-37</link>
		<dc:creator>Timeless Box Set &#171; Wax Poetics</dc:creator>
		<pubDate>Tue, 04 May 2010 19:19:13 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-37</guid>
		<description>[...] about Mulatu Astatke in Issue 14 of Wax [...]</description>
		<content:encoded><![CDATA[<p>[...] about Mulatu Astatke in Issue 14 of Wax [...]</p>
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	<item>
		<title>By: Quantic&#8217;s &#8220;Addis to Axum&#8221; Mix &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-36</link>
		<dc:creator>Quantic&#8217;s &#8220;Addis to Axum&#8221; Mix &#171; Wax Poetics</dc:creator>
		<pubDate>Wed, 31 Mar 2010 00:30:34 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-36</guid>
		<description>[...] in Addis Ababa with Soundway&#8217;s Miles Cleret and photographer/filmmaker B+ (as featured in Wax Poetics Issue 14). Five years later, they were reunited at the Luckman Fine Arts Complex in Los Angeles for the [...]</description>
		<content:encoded><![CDATA[<p>[...] in Addis Ababa with Soundway&#8217;s Miles Cleret and photographer/filmmaker B+ (as featured in Wax Poetics Issue 14). Five years later, they were reunited at the Luckman Fine Arts Complex in Los Angeles for the [...]</p>
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	<item>
		<title>By: Gwen McCrae (Cat) 1975 &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-35</link>
		<dc:creator>Gwen McCrae (Cat) 1975 &#171; Wax Poetics</dc:creator>
		<pubDate>Fri, 11 Sep 2009 19:10:28 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-35</guid>
		<description>[...] McCrae returned to Miami, where Alston founder Henry Stone paired her with producer/ songwriter Clarence Reid to record a series of career-making sides for Alston subsidiary Cat Records. For [...]</description>
		<content:encoded><![CDATA[<p>[...] McCrae returned to Miami, where Alston founder Henry Stone paired her with producer/ songwriter Clarence Reid to record a series of career-making sides for Alston subsidiary Cat Records. For [...]</p>
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	<item>
		<title>By: Lou Rawls Your Good Thing (Capitol) 1969 &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-34</link>
		<dc:creator>Lou Rawls Your Good Thing (Capitol) 1969 &#171; Wax Poetics</dc:creator>
		<pubDate>Fri, 11 Sep 2009 19:08:05 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-34</guid>
		<description>[...] Lou Rawls, who passed away on Friday, January 6, 2006. His amazing baritone can be heard on this David Axelrod-produced soul masterpiece, aided with funky drums and bass, sparse piano, and a sly vibraphone [...]</description>
		<content:encoded><![CDATA[<p>[...] Lou Rawls, who passed away on Friday, January 6, 2006. His amazing baritone can be heard on this David Axelrod-produced soul masterpiece, aided with funky drums and bass, sparse piano, and a sly vibraphone [...]</p>
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	</item>
	<item>
		<title>By: Billy Preston (Capitol) c. 1967 &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-33</link>
		<dc:creator>Billy Preston (Capitol) c. 1967 &#171; Wax Poetics</dc:creator>
		<pubDate>Fri, 11 Sep 2009 19:06:09 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-33</guid>
		<description>[...] success, Preston recorded some sides for Capitol, with the help from Sly Stone, who co-wrote this Axelrod-produced tune and arranged an album&#8217;s worth of material for him. &#160; [...]</description>
		<content:encoded><![CDATA[<p>[...] success, Preston recorded some sides for Capitol, with the help from Sly Stone, who co-wrote this Axelrod-produced tune and arranged an album&#8217;s worth of material for him. &nbsp; [...]</p>
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	<item>
		<title>By: Latimore (Glades) 1973 &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-32</link>
		<dc:creator>Latimore (Glades) 1973 &#171; Wax Poetics</dc:creator>
		<pubDate>Fri, 11 Sep 2009 19:05:14 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-32</guid>
		<description>[...] &#8220;Castles in Spain and a ski lodge in Maine&#8221; over a relaxed proto-disco groove on this Clarence Reid-written and -produced Glades B-side. While Latimore&#8217;s lascivious tone may lead one to call [...]</description>
		<content:encoded><![CDATA[<p>[...] &#8220;Castles in Spain and a ski lodge in Maine&#8221; over a relaxed proto-disco groove on this Clarence Reid-written and -produced Glades B-side. While Latimore&#8217;s lascivious tone may lead one to call [...]</p>
]]></content:encoded>
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	<item>
		<title>By: Watts 103rd Street Rhythm Band (Warner Bros.) 1968 &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-31</link>
		<dc:creator>Watts 103rd Street Rhythm Band (Warner Bros.) 1968 &#171; Wax Poetics</dc:creator>
		<pubDate>Fri, 11 Sep 2009 19:02:35 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-31</guid>
		<description>[...] songwriter/drum maestro James Gadson if the arrangement of this 1968 single, taken from the Rhythm Band&#8217;s sophomore album, [...]</description>
		<content:encoded><![CDATA[<p>[...] songwriter/drum maestro James Gadson if the arrangement of this 1968 single, taken from the Rhythm Band&#8217;s sophomore album, [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Dyke and the Blazers (Original Sound) 1969 &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-30</link>
		<dc:creator>Dyke and the Blazers (Original Sound) 1969 &#171; Wax Poetics</dc:creator>
		<pubDate>Fri, 11 Sep 2009 19:00:15 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-30</guid>
		<description>[...] enlisted a few members of the Watts 103rd Street Rhythm Band, including inimitable sticks man James Gadson, to light a fire under this funk classic. Dyke and his band continued to cut ridiculously heavy, [...]</description>
		<content:encoded><![CDATA[<p>[...] enlisted a few members of the Watts 103rd Street Rhythm Band, including inimitable sticks man James Gadson, to light a fire under this funk classic. Dyke and his band continued to cut ridiculously heavy, [...]</p>
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	</item>
	<item>
		<title>By: Lou Rawls Merry Christmas Ho! Ho! Ho! (Capitol) &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-29</link>
		<dc:creator>Lou Rawls Merry Christmas Ho! Ho! Ho! (Capitol) &#171; Wax Poetics</dc:creator>
		<pubDate>Fri, 11 Sep 2009 18:47:52 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-29</guid>
		<description>[...] is back with a Christmas treat. Continuing our David Axelrod theme, we bring out the Lou Rawls classic. While J. W. Alexander&#8217;s &#8220;Good Time [...]</description>
		<content:encoded><![CDATA[<p>[...] is back with a Christmas treat. Continuing our David Axelrod theme, we bring out the Lou Rawls classic. While J. W. Alexander&#8217;s &#8220;Good Time [...]</p>
]]></content:encoded>
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	<item>
		<title>By: Betty Wright (Alston 4571) 1968 &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-28</link>
		<dc:creator>Betty Wright (Alston 4571) 1968 &#171; Wax Poetics</dc:creator>
		<pubDate>Fri, 11 Sep 2009 18:42:32 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-28</guid>
		<description>[...] the second single off of Wright&#8217;s debut, Alston songwriting duo Clarence &#8220;Blowfly&#8221; Reid and Willie Clarke slyly forced a swinging 3/4 Miracles riff into a boxier 4/4, introducing the [...]</description>
		<content:encoded><![CDATA[<p>[...] the second single off of Wright&#8217;s debut, Alston songwriting duo Clarence &#8220;Blowfly&#8221; Reid and Willie Clarke slyly forced a swinging 3/4 Miracles riff into a boxier 4/4, introducing the [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Mulatu Afro-Latin Soul (Worthy) 1966 &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-27</link>
		<dc:creator>Mulatu Afro-Latin Soul (Worthy) 1966 &#171; Wax Poetics</dc:creator>
		<pubDate>Fri, 11 Sep 2009 18:40:27 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-27</guid>
		<description>[...] always African music,&#8221; Mulatu says in Issue 14, but what makes it Latin is the montuno,&#8221; the syncopated piano vamp. Mulatu&#8217;s later [...]</description>
		<content:encoded><![CDATA[<p>[...] always African music,&#8221; Mulatu says in Issue 14, but what makes it Latin is the montuno,&#8221; the syncopated piano vamp. Mulatu&#8217;s later [...]</p>
]]></content:encoded>
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	<item>
		<title>By: Arthur Lyman Taboo Vol. 2 (Hi-Fi) c. 1960 &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-26</link>
		<dc:creator>Arthur Lyman Taboo Vol. 2 (Hi-Fi) c. 1960 &#171; Wax Poetics</dc:creator>
		<pubDate>Fri, 11 Sep 2009 18:38:27 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-26</guid>
		<description>[...] wasn&#8217;t until our own Issue 14 that people associated David Axelrod with Arthur Lyman&#8217;s Taboo 2, which Axe produced. [...]</description>
		<content:encoded><![CDATA[<p>[...] wasn&#8217;t until our own Issue 14 that people associated David Axelrod with Arthur Lyman&#8217;s Taboo 2, which Axe produced. [...]</p>
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	<item>
		<title>By: Magical Shepard &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-25</link>
		<dc:creator>Magical Shepard &#171; Wax Poetics</dc:creator>
		<pubDate>Fri, 11 Sep 2009 18:26:02 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-25</guid>
		<description>[...] James Gadson claims, in Issue 14, that he just played the &#8220;disco stuff&#8221; and was scared of fellow players Jack [...]</description>
		<content:encoded><![CDATA[<p>[...] James Gadson claims, in Issue 14, that he just played the &#8220;disco stuff&#8221; and was scared of fellow players Jack [...]</p>
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		<title>By: Juice (Greedy Records) 1976 &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-24</link>
		<dc:creator>Juice (Greedy Records) 1976 &#171; Wax Poetics</dc:creator>
		<pubDate>Fri, 11 Sep 2009 17:18:33 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-24</guid>
		<description>[...] Issue 14, Jazzy Jay recalls New York record stores in the &#8217;70s, places like Downstairs Records: [...]</description>
		<content:encoded><![CDATA[<p>[...] Issue 14, Jazzy Jay recalls New York record stores in the &#8217;70s, places like Downstairs Records: [...]</p>
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		<title>By: Mulatu of Ethiopia &#171; Wax Poetics</title>
		<link>http://www.waxpoetics.com/wax-poetics-magazine/wax-poetics-issue-14#comment-23</link>
		<dc:creator>Mulatu of Ethiopia &#171; Wax Poetics</dc:creator>
		<pubDate>Fri, 11 Sep 2009 17:17:30 +0000</pubDate>
		<guid isPermaLink="false">http://blog.waxpoetics.com/?p=1243#comment-23</guid>
		<description>[...] piano with wah-wah is what really creates its unique rhythm. Read our Mulatu of Ethiopia article in Issue 14 of Wax Poetics. &#160; [...]</description>
		<content:encoded><![CDATA[<p>[...] piano with wah-wah is what really creates its unique rhythm. Read our Mulatu of Ethiopia article in Issue 14 of Wax Poetics. &nbsp; [...]</p>
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