Illustrator Wilfred Limonious drew over 150 iconic dancehall LP covers

New book collects artist's work, also displayed at Hometown HiFi in L.A.

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Wilfred Limonious - courtesy Chris Bateman / www.infinestyle.wordpress.com

Wax Poetics is partnering with Sonos Studio in Los Angeles to present HOMETOWN HIFI, an art show running through April 24 about the roots of Jamaican sound system culture, featuring works by Beth Lesser, Limonious, and Pekka Vuorinen, as well as artifacts and films.

In today’s interview, Canadian musician Chris Bateman (of the Operators 780 former local fame) explains his obsession for the art of the underground dancehall illustrator Wilfred Limonious, who died in 1999 after having drawn over 150 iconic LP covers. As expected, the quest he embarked on in 2009 to compile the ultimate Limonious retrospective book turned into quite the treasure hunt…

Wilfred Limonious - courtesy Chris Bateman / www.infinestyle.wordpress.comWhen did you first become aware of Limonious?

Chris Bateman: I first came across Limonious’s covers when my band toured across Canada in 2003. We stopped into S&W Soul King records in Toronto—which was a block from my grandmother’s house. S&W Soul King was an amazing reggae record store and label. I picked up the Stalag LP that day, and our guitar player picked up the Josey Wales Undercover Lover LP. We were all blown away by Limonious’s album art! From there, my friends and I would come across more and more Limonious LPs, and the conversation would always come back to “Why isn’t there a book of his work?” In about 2008 or 2009, a friend sent me a link to a message board thread about Limonious, and that’s when I started to think about a retrospective book a little more seriously.

Wilfred Limonious - courtesy Chris Bateman / www.infinestyle.wordpress.com

Why him in particular? What did he have that, say, Jamaal Pete didn’t?

That’s a good question! I liked a lot of cover artists before I saw my first Limonious jackets, Tony McDermott, for example, I always loved his sleeves. Limonious was the first album jacket artist to make me stop in my tracks though. His lines were so simple and intentional and his colors were so bold. There was also so much humor; I love that. It was immediate and light hearted. His covers looked just as the records sounded. With so many small details and scribbled patois lines, I would comb over a Limonious jacket like a child reading a comic book.

What made you decide to go and track his traces in Jamaica?

One of the first people to contact me in a really supportive way about this project was Orville “Bagga” Case. He was one of the most prolific jacket designers from the early dancehall era, and his email to me was so supportive and nice. We emailed back and forth for a while, and when he started giving me addresses of people in Kingston that I should interview, I knew that I had to actually go down there.

Wilfred Limonious - courtesy Chris Bateman / www.infinestyle.wordpress.com

Wilfred Limonious illustrations courtesy Chris Bateman / www.infinestyle.wordpress.com

What was the biggest surprise for you among his body of work?

It was a huge surprise for me to learn that his time as a newspaper cartoonist was a significant part of his career. When I would mention his name to people on the island, it was often more recognizable as a newspaper cartoonist than an album jacket designer. He created a number of comics for smaller publications also. Those were really exciting to find and are in the book.

Wilfred Limonious - courtesy Chris Bateman / www.infinestyle.wordpress.comWilfred Limonious - courtesy Chris Bateman / www.infinestyle.wordpress.com

At the end of this quest, can you draw a more precise image of what kind of person the great Wilfred Limonious was?

Everyone that I met with had the same thing to say about Wilfred Limonious: he was a quiet person that loved to draw. One of his friends who runs a printing plant in Kingston told me, “If you came here and he just thought, ‘I feel like drawing,’ he’d draw you just like that.”

 

In Fine Style – The Dancehall Art of Wilfred Limonious by Chris Bateman will be out soon on DJ Al Finger’s One Love Books.

 

Sonos Studio Presents "Hometown HiFi"

Sonos Studio Presents “Hometown HiFi” © Stephen Paul

Sonos Studio Presents "Hometown HiFi" © Stephen Paul

Sonos Studio Presents “Hometown HiFi” © Stephen Paul

 

“HOMETOWN HIFI,” curated by Wax Poetics contributor Seb Carayol: Sonos Studio (145 N. La Brea, Los Angeles) until April 24. Hours: 12–6 PM, Wed.–Sun.

 

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3 Responses

  1. Used his “Hot Bubble Gum” cover art for our first reggae night out here in Phoenix. (Ital Plate). His art brmile to my face & us just as an crucial part of JA history as the sound system itself. Large Up!

    Relaxadub
  2. As for questions regarding oroiginal art –this was just a teaser, you’ll have to wait for the book to drop to see, ha!

    – justin_bubar
  3. […] April 22 – 1) Wax Poetics contributor Seb Carayol curated an exhibition that was on display thru April 24 at Sonos Studio in LA highlighting the accomplishments of the artists and musicians who’ve promoted “Jamaican Sound System Culture”, with a focus on the colorful album cover art by a trio of illustrators – Beth Lesser, Wilfred Limonious, and Pekka Vuorinen. If you’re not familiar with the genre, the album covers are a great introduction. In the accompanying article, musician ChrisBateman talks about his love for the covers featured on these little-seen albums and, in particular, the work of Limonious, who died 15 years ago after illustrating over 150 records (Bateman has a book out later this year on the subject) – http://www.waxpoetics.com/blog/guest-blog/illustrator-wilfred-limonious-drew-150-iconic-dancehall-lp… […]

    Album Cover News Recap – April 2014 | Album Cover Hall of Fame.com

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